ALICE B. TALKLESS

Polity Politic Policies for a New Time
(*Not Necessarily Public as the Term "Public" Would Illegally Refer to a Possibly Overt Image)

If there is to be a treaty under the auspices of certain moments say, in history for example, that dictates behavior regarding the banditure of weaponry by way of the nomenclature of evidence, virtual purpose will have to be extended through time.

(*In anticipation of reversals, elements of nemesis, or the understanding of inner workings, it will be necessary to create epistemology regarding the exposition of bandits and their subsequent linear devolvement into a substructure of infinity.)

If, in the overhead, there appears, for example, a disproportionate amount of sky in the foliage, it will be construed as an infraction of imagery at the expense of meaning as it refers to linguistic connotation, and therefore will be listed under the auspices of the banditure of imagery.

(*In addition and in concordance with the above stated nomenclature of evidence, these infractions of imagery will necessarily also be referred to the moments mentioned below.)

If there are moments, as in some scenarios, certain of themselves rather than of those always arguing for their questionnaires, they shall be held as mortally selfish, and therefore fall under the jurisdiction of an appellate court ruling outside of a timely infrastructure.

(*However, if a moment is found to be mortally selfless, the aforementioned substructure of infinity will be applied without linear devolvement.)

If an evidence of banditure is found to be explicit in an aforesaid moment and is directly related to an affront upon linguistic signification by way of mortal imagery, said banditure will be found to embody a moment illegally and will be linearly devolved into a substructure of infinity.

(*Refer to implied epistemology and examples already cited.)

 

True Story

Tremors shook the dream.
The dream was a platform
or shadow of a platform;
a gallows for the patron.
Allow me to reconstruct:
I felt a substitute shaking
mathematics in my ankles.
Geology sat in the garage,
conspired to interrogate
the vagabond captive in my ankles.
In my sleep lay the sagging
movement of stones
forcing the dream into steerage.
To circumvent the shaking,
a brigand sauntered to the gallows,
a wonder in my mind, to reconcile
how stone could tell of its horizon
thrown from platform to gas station
in a trajectory of mathematics
to land in the painting of a pirate’s platform.
(gallows now a giraffe on the tundra):

My dream has been degraded
by its shaking to a clown
in the math of one.


Getting There Ecstatic

When Don Small encountered God he was dead, a shadow
on the night’s bardo, somehow still, a molecular mess of sand
or granular by-product of  cement, smeared by police.
Re-living himself an intensely sublime curve of torsion stamped
in a swing at someone’s head, he found his hands
packing all moments at once toward his race back to a box.

Dead and seeing God, it happened all finally. His truth, a box
of  moments leaning hard into light; a whore in light’s shadow.
In his ass, everything he’d eaten, consumed by the space of his hands.
His body lost liquid, broke into moments of sand
where every lie lived in every mouth of each grain stamped
in a record of his fingers remarking final truth to the police.

Alive he could handle it, but dead and filled with police
in the moment of his seeing, he destructed God in a box.
Don Small happened finally, all moments at once, stamped
onto a tarmac of parking lot, drunk in a Ludlow shadow,
a whore of a mess with a cock and a head made of sand. 
Don came close to a moment alone within the horizon of his hands.

A human somewhere becomes a new murder inside of its hands:
This is a truth required by God’s police:
It is Small’s moment reiterated in the becoming of sand.
This is the whore of a lifetime lived living in a box:
Life built by the requirement of fiction, or light’s shadow,
flattened in the onslaught of an aftermath, violently stamped.

In the violent arrest of time lived, Don Small stamped
inked finger images onto the car door in his hands,
his image moving away, blocked into diagrams of shadow
occupying an illusion of procedure required by the police.
Blocked by an intrusion of box,
there seemed nothing to imagine, no end to the sand.

And this stayed the final moment where Small was, stuck in his sand
body locked in an arc of viciousness and stamped
for liquid observation under a lens in a box,
body open to light, internal organs present in both hands,
thoughts regarding space falling within a jurisdiction of police,
gods of inner workings understood as light’s sacrifice to shadow.

In God’s box Don destroyed the space of his hands,
(in truth, his destruction was stamped this time by police)
and his small moments shift as sand under God’s shadow.


TICKET FOR A FLEA


to market to market to buy
a fat flea
train it to tricks,
to carry camels 
or horses in baskets,
to dance in a bucket
of worms...buy it
and train it to play dead,
to starve on words,
to fart on command,
to prance with a gun
onto a train of fleas...
train it to swim in
a tiny pool of gasoline,
train it to drink coffee,
train it to Europe
or the Congo
or the Middle Weast.
Teach it to love dogs.
Blindfold it and send it 
to plot a farm in Kansas.
Teach it to fuck ants.
Teach it to feel 
something like the world
in a universe where bullets
itch like fles
love an itch in the ass.
Teach it to take off its pants
for a sale in France
to market a great buy
in fashionable waste.
Feed it a cob from a fashion-ist plate...
teach it a rhyme
preach it a beat
march it as CORPS
to the God-Fund bank on Mars.


biopsy


Heart the wire wings blind against day
shelters in the small naught
predictable plans to prey, light grows
its worming way spectacle, Heart 
shrouds the function, flat ghosted
taught gallant bursts in
the decollator Heart grows to invention
pressed against the snare,
regains the pentecostal tolerated
depths pool, Heart foglights through
wounds curve, fissures of pale move,
Heart the peace blankets
to death the tangled graces,
lays in its mouth dreaming,
the solvent night: tomorrow faces
mean anything to Heart's corpses
suspended fore and aft by traction
Heart looms the sway, rings the darkness
crowds, forces, watch bells flood harsh blood
and blooming Heart fills the daft air with falling
falling Heart climbs into soaking then
blue nothing bounds over the life museum



proglottis


youth eternal in a fragment of decay
only's her body left big as her
empty kiss me cosmos I am late
this time is flat carelessly
incomplete I contain
a surplus process passion leap
to be, exactly, seamless
the impossible immediate wastes
itself a trivial advance
desire drives duration time, your slow
wish repression which artifice
divine ebb neighborhood replaced
by ego, eternal is not whole.



super


on the day I lived
in batman's airbrush came
a cloud of blue mist
to cover the whole region
in backwash animation
a mortality bruise
a robust man flew
thoughtlessly, airily
caped indifference
a flat beauty or maybe beautiful
in a circle of his condition
a hero nonetheless
over dubbed, resistant, blind
by reason's kingdom moving
less freely in the world than ever



king cole visits the 20th century


"I went to Atlantic City, town of cock
suckers and empty palaces dreamily I
sat at a gamecock's table and watched
liquid blacks disappear into pie monopoly
ruled by ladies on the way to bring up
dinner, cocktails, the occasional child
some dark haired sinatra song finally stopped
listening dwarfs, or just midgets, in black tie attire" 



MATTHEW AND MARK


across from Joseph Moore
two boys lit
firecrackers forced
into the baby bird next
they did kittens
and walked two blocks
to Sonsini's store
where they bought penny
candy with arcade allowances
from their dad's pants pocket.



LUKE AND JOHN


off to a temple
with stupid parents
curls and brapping high hats
the girls laughed
at the pussy boys but
the only viable girls were boys at
temple boys grow up
shave, drink Mad Dog,
masturbate into each other,
mouth and vomit prayer




tiphareth back to ground


heart I am
cancerred in god I
live in a million forearms, the world's
nature, do not make more
of birth than the revolting mess
it is grown in lamentable
biology the stench of a billion
death specimens
itself in the multitude of praise.



Untitled


Heart the wire wings blind against day
shelters in the small while
predictable plans to prey. light grows
its worming way. spectacle, Heart
shrouds the function, flat ghosted,
unknown but for a gallant burst in 
the decollator, Heart grows to invention,
pressed against the snare
regains the pentecostal tolerated
nothing now moved, Heart fog-lights through
the depths pool a fissure of pale murder
Heart the peace blankets 
to death the tangled graces,
lays in its mouth dreaming
the solvent night: tomorrow's faces
mean anything to Heart's corpses
suspended fore and aft by traction
Heart looms in the sway, rings the darkness
crowds, forces, watch bells flood harsh and
blooming, Heart fills the daft air with red falling
falling Heart climbs into open soaking then
blue nothing boundaries in the life museum

ALICE B. TALKLESS